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Thu, 29 Jul 2010 19:32:07 -0700
When John Kirkpatrick premiered Charles Ives's enormous Concord Sonata in New York City in 1939, almost three decades after it was written, the more perceptive critics recognised it for the masterpiece it was despite the difficulties its musical language, still boldly avant-garde then, must have posed to listeners who were hearing it for the first time.
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